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The search lines are here for research students and interested Blake readers..............or those who want Blake's The Four Zoas 'explained' or Jerusalem 'explained' in detail... or want to understand Blake's art more profoundly. Blake's art is embedded in his myths and thus his myth, symbol and story not understood, Blake's art is also poorly understood. My studies are about making sense of Blake's mythology. his myth, also thought of as his sublime allegory, (wittreich) has to be realised in the perceptions of readers and viewers....in a like manner, myth and symbol is necessary to realise the iconic, typological and allegorical meanings of classical or renaissance art. likewise the geometry of composition is typically sacred such as in the theology of the ikon in bizantine art, its sacred geometry of internal symmetries and colours, and from the earliest, sacred architecture...and that means the indigenous circle builders and their clarity of astronomical alignments and so time.

an essential methodological principle is that there are many swirls of myths in Blake's mythology of Albion's fall and redemption... dynamic 'vortices' involved in multi inter engagements in multi complexities... foucault like vortices of them all as a whole in unity...such are the torus-like vortices of Albion's inner collapse... and there is no final definition until Plates 94-100.

Blake's depictions of mental energies are profound. It is a commonplace amongst Blake's audiences and analytic thinkers that he develops a causal cosmology of mental energies, events and materiality that is of extraordinary value to to our understanding of human consciousness itself. his value is enhanced by his universality...though he is christian, his readers need not be.

Though he sees a four-fold unity with Christ, others may see that Blake symbolises a 'god's eye' concept of time and space such outlined by polkinghorne(I discuss this in the opening chapters to Jerusalem Explained). Jungian and Freudian critics have long seen Blake's work as revealing that which otherwise is unrevealed even unconscious... his impact upon art is formidable. Blake's remarkable poetic re-creations of mind and processes of dream and waking self-revelation are known as very valuable... god or no god so to speak.